One of Remington’s favorite themes was the American soldier in the West, of whom he wrote, “His heroism is called duty, and it probably is.” Here, soldiers led by a scout in buckskin charge an unseen enemy. Although the painting was probably meant to refer to the war against the Plains Indians in the 1860s—Remington titled it "Cavalry in Sixties"—the uniforms and weapons date variously from the time of the Civil War through the 1870s. The artist was willing to depart from reality in other details as well. For example, the horses and riders are shown as a dynamic mass rather than in a straight horizontal line, which was the usual attack formation.
Ethiopian Orthodox Label Text Devout individuals have commissioned icons (wood panel paintings) as gifts to the Ethiopian Orthodox Church since the 15th century. The icon was believed to carry the peoples' prayers for mercy and healing directly to the depicted saint--most often Mary with the infant Christ. The archangels, Michael and Gabriel, stand next to Mary, and Saint George often rides a white horse on the opposite panel. Small icons may have been worn around the neck suspended in cloth or leather bags or by a cord through a wood cylinder. Description Double sided pendant icon with a single suspension lug with a burned hole, an overall exterior carved with geometric motifs and fiber hinged doors. Side carved roundel: Madonna & child flanked by Archangels Michael and Gabriel; on door: St. George and inscription. Side with two crosses: Crucifixion; on door: ascent from Purgatory, inscription. Side carved roundel: Madonna & child flanked by Archangels Michael and Gabrie...
On view at The Met Fifth Avenue in Gallery 765
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